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Jonathan Strange & Mr. Norrell, by Susanna Clarke
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Amazon.com Review
It's 1808 and that Corsican upstart Napoleon is battering the English army and navy. Enter Mr. Norrell, a fusty but ambitious scholar from the Yorkshire countryside and the first practical magician in hundreds of years. What better way to demonstrate his revival of British magic than to change the course of the Napoleonic wars? Susanna Clarke's ingenious first novel, Jonathan Strange & Mr. Norrell, has the cleverness and lightness of touch of the Harry Potter series, but is less a fairy tale of good versus evil than a fantastic comedy of manners, complete with elaborate false footnotes, occasional period spellings, and a dense, lively mythology teeming beneath the narrative. Mr. Norrell moves to London to establish his influence in government circles, devising such powerful illusions as an 11-day blockade of French ports by English ships fabricated from rainwater. But however skillful his magic, his vanity provides an Achilles heel, and the differing ambitions of his more glamorous apprentice, Jonathan Strange, threaten to topple all that Mr. Norrell has achieved. A sparkling debut from Susanna Clarke--and it's not all fairy dust. --Regina Marler
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From Publishers Weekly
The drawing room social comedies of early 19th-century Britain are infused with the powerful forces of English folklore and fantasy in this extraordinary novel of two magicians who attempt to restore English magic in the age of Napoleon. In Clarke's world, gentlemen scholars pore over the magical history of England, which is dominated by the Raven King, a human who mastered magic from the lands of faerie. The study is purely theoretical until Mr. Norrell, a reclusive, mistrustful bookworm, reveals that he is capable of producing magic and becomes the toast of London society, while an impetuous young aristocrat named Jonathan Strange tumbles into the practice, too, and finds himself quickly mastering it. Though irritated by the reticent Norrell, Strange becomes the magician's first pupil, and the British government is soon using their skills. Mr. Strange serves under Wellington in the Napoleonic Wars (in a series of wonderful historical scenes), but afterward the younger magician finds himself unable to accept Norrell's restrictive views of magic's proper place and sets out to create a new age of magic by himself. Clarke manages to portray magic as both a believably complex and tedious labor, and an eerie world of signs and wonders where every object may have secret meaning. London politics and talking stones are portrayed with equal realism and seem indisputably part of the same England, as signs indicate that the Raven King may return. The chock-full, old-fashioned narrative (supplemented with deft footnotes to fill in the ignorant reader on incidents in magical history) may seem a bit stiff and mannered at first, but immersion in the mesmerizing story reveals its intimacy, humor and insight, and will enchant readers of fantasy and literary fiction alike. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Product details
Hardcover: 782 pages
Publisher: Bloomsbury USA; 1st edition (September 8, 2004)
Language: English
ISBN-10: 1582344167
ISBN-13: 978-1582344164
Product Dimensions:
6.3 x 2.3 x 9.9 inches
Shipping Weight: 2.9 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
1,792 customer reviews
Amazon Best Sellers Rank:
#330,092 in Books (See Top 100 in Books)
In 1806 magic is believed to be dead in England until a society of theoretical magicians uncovers Mr. Norrell, the first practicing magician of hundreds of years. Mr. Norrell is firmly in the public eye when another magician, Mr. Strange, emerges to become his student. Together, these very different magicians are tasked with returning magic to England.That is a very rough description of a 1000 page book. Truthfully, there’s a whole lot more going on but to say too much would be leading me into giving away spoilers.As already mentioned, this is a very long book. In fact, it’s divided into three books, each named after the important magicians in the story (Strange, Norrell, and the long ago Raven King). A warning here – Jonathan Strange & Mr Norrell is slowly paced and slow burning. The action and pace don’t pick up until the climax in the last hundred pages or so.So why, might you ask, would I read a book with 900 pages of build up? Because that build up is so enjoyable. Susanna Clarke is an excellent writer (she’s using the style of classic nineteenth century authors), and her writing is not without humor. I was not at all expecting it, but often I would laugh out load upon reading a line. Take this quote for instance:“Houses, like people, are apt to become rather eccentric if left too much on their own; this house was the architectural equivalent of an old gentleman in a worn dressing-gown and torn slippers, who got up and went to bed at odd times of day, and who kept up a continual conversation with friends no one else could see.â€I love the footnotes as well. Sometimes they’re just explaining a reference to a magical text, but often they are stories within a story, like the fairy tale about the Master of Nottingham’s daughter and her quest to retrieve the magic ring. Other times she uses footnotes (as well as in text commentary) to skewer the prejudices of the age. There’s a certain irony in that Strange and Norrell are acceptable magicians because they are gentlemen, even though others such as Childermass would probably make just as good or better magicians.If you pick this one up, you’ve got to have at least some interest in history or a liking of classic English writing like Jane Austin. If you’re looking for the usual action adventure, medieval world type fantasy, Jonathan Strange and Mr Norrell is not for you. If you’re looking for something different, an original fantasy book, than this is the book for you.
The following review is written by my 15 year old daughter for whom I bought this book:I've read a lot of reviews of the kindle version of this book stating that it is boring, (as if it were a fact.) Everyone is entitled to their opinion, but to flat out say it's boring is an insult to what I consider to be a masterpiece. “Not my cup of tea†would be the better thing to say. For me, it was a page turner, and I actually wish it were longer. I'm inclined to think that if it were infinitely long, I'd just keep on reading and reading! Why do I love this book so much? The writing, for one thing. It's beautiful, and I just love the way the author described things. I almost laughed out loud at some of the comic descriptions of characters, but other times the descriptions were just plain creepy or haunting. The plot was also very interesting to me. The characters are fully fleshed out, and I came to feel as if I knew them. A lot of the book is spent describing things and on conversations between characters, without a lot actually happening, per sey, but to me, it just never got boring. Most of the actual action happens near the end. It's not a thriller, but to me, it's infinitely better. And no, this is not “Harry Potter for grown ups.†I personally prefer it to Harry Potter, but if it's two magicians flinging fireballs at each other you're looking for, this isn't it. The magic tends to be things like walking through mirrors, making it rain, and conjuring up visions. Like I said, everyone's entitled to their opinions. This is mine. In short, this is a wonderfully well written book that is sometimes creepy, sometimes comic, and sometimes serious. It's not for someone with a short attention span. The length never bothered me, but if you're willing to commit, it honestly doesn't take that long to read. I have already HIGHLY recommended this book to some of my friends, and over the years, I will go back and read it over and over again.
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